
8 years, 7 months ago
"Broken City Lab's project/projects capture and are captured by the growth of globalization-is-border..."

8 years, 7 months ago
"This journal has always been a useful space for considering a number of important cross-sections bet..."

8 years, 7 months ago
"This project contains a direct link to certain histories of tactical media or electronic disturbance..."

8 years, 7 months ago
"The question of an un-documentary form is important quality that the project traces. How can the pol..."

8 years, 7 months ago
"The question of an un-documentary form is important quality that the project traces. How can the pol..."

8 years, 7 months ago
"This project has a great performative matrix that can playfully add to a more general cognitive mapp..."

8 years, 7 months ago
"I like avant-gardening gestures very much. This one seems to have a number of strong qualities and t..."

8 years, 7 months ago
"Remix fashion as recycled fashion is not new-but I like the expansion of the algo-rhythm of this ges..."

8 years, 7 months ago
"As the engines of visibility and big data create the current enclosure condition-the question of gen..."

8 years, 7 months ago
"This gesture recalls the question of "tools" only having meaning to us-after it breaks. We are now i..."


Username
Disturbances+
Name
Ricardo Dominguez
Birth year
1959
Gender
male
Country
United States of America
Website
Description
Ricardo Dominguez is a co-founder of The Electronic Disturbance Theater (EDT), a group who developed virtual sit-in technologies in solidarity with the Zapatistas communities in Chiapas, Mexico, in 1998. His recent Electronic Disturbance Theater 2.0/b.a.n.g. lab project ( http://bang.transreal.org/) with Brett Stalbaum, Micha Cardenas, Amy Sara Carroll, and Elle Mehrmand, the Transborder Immigrant Tool (a GPS cell phone safety net tool for crossing the Mexico/US border) was the winner of “Transnational Communities Award” (2008), an award funded by Cultural Contact, Endowment for Culture Mexico–US and handed out by the US Embassy in Mexico. It also was funded by CALIT2 and the UCSD Center for the Humanities. The Transborder Immigrant Tool has been exhibited at the 2010 California Biennial (OCMA), Toronto Free Gallery, Canada (2011), The Van Abbemuseum, Netherlands (2013), ZKM, Germany (2013), as well as a number of other national and international venues. The project was also under investigation by the US Congress in 2009-2010 and was reviewed by Glenn Beck in 2010 as a gesture that potentially “dissolved” the U.S. border with its poetry. Dominguez is an associate professor at the University of California, San Diego, in the Visual Arts Department, a Hellman Fellow, and Principal/Principle Investigator at CALIT2 and the Performative Nano-Robotics Lab at SME, UCSD. He also is co-founder of *particle group*, with artists Diane Ludin, Nina Waisman, Amy Sara Carroll, whose art project about nano-toxicology entitled *Particles of Interest: Tales of the Matter Market* has been presented at the House of World Cultures, Berlin (2007), the San Diego Museum of Art (2008), Oi Futuro, Brazil (2008), CAL NanoSystems Institute, UCLA (2009), Medialab-Prado, Madrid (2009), E-Poetry Festival, Barcelona, Spain (2009), Nanosférica, NYU (2010), and SOMA, Mexico City, Mexico (2012): http://hemisphericinstitute.org/hemi/en/particle-group-intro.
I have joined the Memfest community becasue i am interested in
artivism, tactical media, electronic disturbances, hacktivism, ECD, interventions....
Faculty
UCSD
Education
Just doing stuff with other people
Working place
UCSD
Collaborators
Many
Music I like
has beat and I can dance to it!
Books I like
Lots of books. Big books, small books, invisible books, and books that talk to me.
Films I like
tend to flicker.
Communication projects I like
this one.
Websites I like
this one!
People I like
mostly everyone, accept those folks up in that office who work for the people at the top office-but know one knows who they are.
