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mardinoir

ARTIST   +   INTERVENTIONIST

MY COMMUNITY BOARD

oliver
1 week, 5 days ago

This is super: between 1st- 31st October 2020 anyone can get 30% off the Food Democracy book online using the code FAN30 at the checkout!!

https://intellectbooks.com/food-democracy

oliver
2 weeks, 4 days ago

David Graeber was connected to Memefest mostly via his incredible work on Debt.

This is an invitation to come together across the world for a memorial carnival in the spirit of the one and only, David Graeber, who just left us so suddenly and unexpectedly. The invitation emerges from his wife Nika and a handful of his friends.

https://davidgraeber.industries/memorial-carnival-eng

oliver
3 months, 1 week ago

Here is the sound file of the dialogue between Arturo Escobar and I at the recent Participatory design conference at the Festival de la Imagen in Manizales, Colombia. It was such a pleasure and honor to talk to Arturo but also pure joy to be connected again with Colombia again and in especially in this a way!!

---



The Onto-epistemic Politics of Participatory Design: A Dialogue Between Oliver Vodeb and Arturo Escobar

Oliver Vodeb and Arturo Escobar have in this special dialogue, Participatory Design Conference at the 2020 Festival de la Imagen in Manizales, looked into the radical potential of participation and design, especially in relation to knowledge. Taking a close look at the relations between the academy, practitioners and social movements, the dialogue focused on the politics of the possible, namely, a reality open for cohabitation of different worlds by design.

The conversation examined the potential for epistemic pluralism and participatory epistemologies to foster radical intimacy with each other and the earth. Looking at the growing field of critical design, Vodeb and Escobar discussed capitalism’s predatory strategies and design's role in it, while suggesting that another design, and another possible, are possible.

More on Arturo Escobar here: en.wikipedia.org/wiki/Arturo_Esco…_(anthropologist)

More on Oliver Vodeb here: memefest.org/en/about/who_we_are_oliver_vodeb/

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oliver
3 months, 1 week ago
The hyperlinks I posted above do not seem to work. Here they are again: Check Arturo Escobars groundbreaking book Designs For The Pluriverse here: https://www.dukeupress.edu/designs-for-the-pluriverse/

More on Arturo Escobar here: https://en.wikipedia.org/wiki/Arturo_Escobar_(anthropologist)
oliver
4 months, 4 weeks ago

You can join now our Memefest channel via the Telegram app:

https://t.me/memefestnetwork

gabriellaprovoked
4 months, 3 weeks ago
Hey Oliver, I am not able to comment in the chat - not sure if this is how you intended to set it up?
oliver
4 months, 3 weeks ago
Hey Gabriela, which chat- like here? I can see your comment. :)
gabriellaprovoked
4 months, 3 weeks ago
Hi Oliver, oh sorry, I meant the Telegram chat.
oliver
4 months, 3 weeks ago
Hmm, wait will check, but thanks for letting me know!
oliver
4 months, 2 weeks ago
OK, so as it seems the Channel on Telegram is by default "read only". We opened a group now, where any member can post, comment etc. Join us here: https://t.me/memefestgroup
oliver commented on Memefest's blogpost CALL FOR CONTRIBUTIONS to new Memefest book RADICAL INTIMACIES: Extradisciplinary Investigations in Making Things Public
5 months, 1 week ago

"What kind of problem succumbs to domination and control? The kind caused by something from the outsi..."

oliver
5 months, 3 weeks ago

I will be posting three lectures on comradeship by Jodi Dean in the coming weeks. Here is the first one:

Learning about comradeship with Jodi Dean: Class 1

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oliver commented on Memefest's blogpost Why Did We Delete the "Coronavirus COVID-19 is an act of war?" Openblog Post?
6 months, 1 week ago

"Hi Thomas, really nice to hear from you!
I know what you mean. We left the post online for a day an..."

oliver commented on stephen_designer's blogpost Your 20 Sources and 20 People for this Year 2020
6 months, 1 week ago

"I like this initiative a lot Stephen. Somehow I just got the opportunity to look into it now. Same q..."

oliver likes ize 's blogpost
6 months, 1 week ago

Night surf

oliver
8 months ago

The Para-Academic Handbook: A Toolkit for Making-Learning-Creating-Acting

Edited by: Alex Wardrop and Deborah Withers

2014

There is a name for those under-and precariously employed, but actively working, academics in today’s society: the para-academic.

Para-academics mimic academic practices so they are liberated from the confines of the university. Our work, and our lives, reflect how the idea of a university as a place for knowledge production, discussion and learning, has become distorted by neo-liberal market forces.

We create alternative, genuinely open access, learning-thinking-making-acting spaces on the internet, in publications, in exhibitions, discussion groups or other mediums that seem appropriate to the situation. We don’t sit back and worry about our career developments paths. We write for the love of it, we think because we have to, we do it because we care.

http://hammeronpress.net/wp-content/uploads/2015/04/PHA_Final.pdf

oliver
8 months, 2 weeks ago


The Billion-Dollar Disinformation Campaign to Reelect the President

How new technologies and techniques pioneered by dictators will shape the 2020 election

https://www.theatlantic.com/magazine/archive/2020/03/the-2020-disinformation-war/605530/

oliver
10 months ago

Merry Christmas everyone! As the holidays center so much around food, family and community we'd like to give you a little gift.

Produced by Goucher student Kylie Miller, hosted by Kylie Miller and Tashi McQueen, Featuring Eric Jackson and Floyd Godsey this podcast presents the amazing and inspiring work on Food Apartheid our brothers and sisters at the Black Yield Institute in Baltimore are doing.

The podcast is one of the many outcomes of Baltimore's Food Apartheid, a collaboration between Goucher College, Black Yield Institute and Memefest, which happened in November in Baltimore.

https://goucherstudentradio.com/2019/12/03/baltimores-food-apartheid-a-podcast-about-black-yield-institute/

francaformenti63
10 months ago
Very interrsting!!!❤️
oliver
10 months, 3 weeks ago

Montreal friends, come and join us this coming Wednesday:

Members of the Memefest Network were recently in Baltimore, USA working with the Black Yield Institute and students at Goucher College tackling the subject of Baltimore's Food Apartheid. Food Democracy/Food Sovereignty has been a focus of Memefest's work over the last few years and it was a special opportunity for us to work with Black Yield, an amazing community organisation based out of Cherry Hill who seek to "Cultivate Self-Determination Through Black Land & Food Sovereignty".

Memefest's Oliver Vodeb and Vida Voncina, who will be visiting Montreal, alongside Kevin Lo (LOKI/Memefest) are interested in presenting a public debrief and discussion on the work done with BYI and Goucher, as well as the Memefest Network and project more broadly. We invite those interested in design and media activism, radical pedagogy, food justice (and more!) to join us for a casual "salon" at LOKI's studio.

See more details here: https://www.facebook.com/events/571852240242300/

danielmarcus
10 months, 3 weeks ago
Great that you are doing this!
--Daniel
oliver
10 months, 3 weeks ago
Of course... and there will be more. When are we printing all the rest of the materials?
oliver
11 months ago

The Hong Kong protests are incredibly significant for many reasons. Not only are they exceptional as people are protesting more than six months, it is also the tactics that the protesters use that are highly sophisticated.

Here is a good article about the many subversive cultures emerging from the HK uprisings:

https://graphics.reuters.com/HONGKONG-EXTRADITIONS-TACTICS/0100B0790FL/index.html

oliver
11 months ago

The Hong Kong protests are incredibly significant for many reasons. Not only are they exceptional as people are protesting more than six months, it is also the tactics that the protesters use that are highly sophisticated.

Here is a good article about the many subversive cultures emerging from the HK uprisings:

https://graphics.reuters.com/HONGKONG-EXTRADITIONS-TACTICS/0100B0790FL/index.html

oliver commented on Memefest's blogpost Baltimore’s Food Apartheid: A pre-workshop preparation session
11 months, 1 week ago

"As we are working a lot with photographers here is an article on Afrapix, a radical photo collective..."

oliver commented on Memefest's blogpost Baltimore’s Food Apartheid: A pre-workshop preparation session
11 months, 2 weeks ago

"Here are some great links sent to me by Pamela from Goucher, they are very useful resources, so I am..."

oliver commented on Memefest's blogpost Baltimore’s Food Apartheid: A pre-workshop preparation session
11 months, 2 weeks ago

"Here the latest on Black Yield Institute, published by Civil Eats:

https://tinyurl.com/y2ephb4c..."

oliver commented on Memefest's blogpost Baltimore’s Food Apartheid: A pre-workshop preparation session
11 months, 3 weeks ago

"Hello Pamela @mxpjthompson, thanks for sharing about the work you have been doing with your students..."

oliver commented on Memefest's blogpost Baltimore’s Food Apartheid: A pre-workshop preparation session
11 months, 3 weeks ago

"I Love Kevin's take on food and its relation to community, commoning and the potentials, which are i..."

mardinoir
ABOUT ME

Username

mardinoir


Name

Arzhel Prioul


Birth year

1981


Gender

male


Country

France


Website

http://mardinoir.blogspot.fr/


Description

Mardi Noir usually decontextualizes Art by taking it out galleries or studios, to give it back to the city and its inhabitants. Here, he re-contextualizes his urban art by having it into the gallery. Sliding in Mardi Noir’s work is all about contradictions: the anachronistic presence of things already went off, unusable pictures of ordinary objects, things that constitute itself the space in the space. Mardi Noir fills up deserted places with murals of furniture or with inhabitants coming from the past. Those men and anachronistic objects on the walls become themselves the spatial framing of the setting. There are like frozen in an impossible boundary, both containers and contents. Tapestry is the object halfway between furniture and property that also opens a virtual space of illustrations and patterns. The re-appropriation practice of pictographs, peculiar to Mardi Noir seems to take part in the defacement of the public or market worlds. The logo, meant to associate the individual with brands and values, becomes the artist’s work. He gets hold of it, takes their owners’ place to give them back to everybody, like a Robin Hood of the picture. He turns them into a real liveable decor instead of the pseudo advertising or institutional designs that bother more the citizen than makes the city more attractive. Pictographs initially never fit in spaces; they are pasted up and virtualize life. Then twisting them is finally including them in a true context in which everyone can be what they are and not the consumer or the bound subject they should be. R.Edelman


COMRADES
oliver