Festival Community
This website is using cookies to. By clicking 'OK', you agree with our cookie policy. More about this.
OK

oliver

DESIGNER   +   RESEARCHER   +   EDUCATOR   +   PHOTOGRAPHER   +   THEORIST   +   CREATIVE_DIRECTOR   +   OUTSIDE_OF_CLASIFICATIONS   +   INTERVENTIONIST

No Fun
4

0100101110101101.ORG did this on-line performance titled No Fun, using Chat roulette http://chatroulette.com/.

One of the better projects i have seen in a long time, this is hard core.
Have a look at it and think about the chatters responses to this shocking image that waited for them.

First as Tragedy, Then as Farce
1

Slavoj Žizek investigates the surprising ethical implications of charitable giving.

Real media life stickers
1

I like this sticker concept. One of the better i have seen in a while. For some time it seemed to me that the imagination around the sticker medium was having troubles going beyond fun. I have reviewed thousands of stickers while being a jury member at the first international sticker award: http://www.stickeraward.net/. After the first few years of highly original sticker art/communication the concepts were getting week. I could observe this where ever i traveled- in the big cities, where sticker culture became something of a must do thing for the cool people (and advertisers)- most of the stuff was to me just funny and nice, at it's best. I missed the communicative power that this medium potentially has.

In order to go beyond fun a sticker needs to evoke engagement that plays with the social context in which it appears. That's the first rule. A sticker in it self is a highly contextual medium. This makes it so interesting.

This particular stickers speak what media experts and journalists who have to work in media already know for a very long time, while the general public is still not aware about such facts. Basically- most of today's journalism is a sad rip off. There is no research, very little knowledge and almost no integrity involved in the process of informing the public about things that are of important public value. I think this stickers tell this in a nice and precise way.

Their graphic design is rather informational, which makes them appear serious and ironically in tune with the values of the media- as they should be. At least in serious journalism.

I'd like to have some of those. Would be fun placing them in to newspapers in public places.

You can read more about this here: http://www.tomscott.com/warnings/

The real life social network
3

Here is a interesting look in to the life of our real social networks. On-line and off line.

Class Wargames presents: Guy Debord’s “The Game of War”
2

Just got an email from Richard Barbrook- whose fantastic "The High-Tech Gift Economy" text is going to be published in our Memefest reader this November.

He is working on this fantastic project. Here is a description and the first part of the movie:


“In the early-1970s, Debord created his film adaptation of The Society of the Spectacle by splicing together clips taken from other people’s movies and then adding his own soundtrack. When social relations between individuals are mediated through images, this avantgarde technique of détournement acts as the proletarian antidote to capitalist monopolisation of historical memory. Quoting from the products of commercial cinema involves much more than recruiting glamourous movie stars and expensive special effects for audiovisual subversion. As Debord emphasised, these borrowed film excerpts are transformed in the editing process into a revolutionary critique of the spectacular misrepresentation of the human adventure. Torn out of its original context and carefully placed in a new juxtaposition, the cinematic propaganda of the class enemy can be turned against itself. The imagery of bourgeois ideology must be metamorphosed into the elucidation of Situationist theory. Expropriating the media expropriators is the premonition of cybernetic communism in the present.

When Debord was working on the film adaptation of The Society of the Spectacle in the early-1970s, making a movie out of movie clips was very difficult. Buying celluloid stock, hiring editing suites and organising cinema screenings had required serious money from a generous sponsor. Fortunately, over the past three-and-ahalf decades, digital technology has caught up with this Situationist technique. Class Wargames only needed a small grant from the Arts Council to fund a film constructed on a Mac laptop with Final Cut out of video from our performances and excerpts from our DVD collection. Best of all, we are now able to distribute our cinematic creation to a worldwide audience for free over the Net. Détournement is no longer the privilege of a minority of avant-garde artists. Media communism is now embedded in everyday life. Become a 21st century Debord – a director of remixed movies. Sweep away the anachronistic barriers of intellectual property. Switch on the computer, start up the video editing software, plug in an external drive filled with rendered DVDs and begin making your own film. Everyone is a practical Situationist.”

oliver
ABOUT ME

Username

oliver


Name

Oliver Vodeb


Gender

male


Country

Australia


Description

I am a member of Memefest communication/art/theory Kolektiv, and founder, curator and editor of Memefest Festival of Socially Responsive Communication and Art. Iam also facilitator of Memefest online social network.

I am an Academic at RMIT University, Melbourne. I teach and research mostly in the field of communication design. I approach design/communication from a critical inter/ extradisciplinary perspective and I investigate theoretical, strategic, conceptual and "hands on" practice.

I enjoy working in many different media including visual and text.

Books I have published :

http://memefest.org/en/fooddemocracy/

www.memefest.org/en/indebtedtointervene/

www.memefest.org/demonstratingrelevance/en

www.druzbenoodzivnokomuniciranje.si/

This was my studio in Slovenia (2004-2012): www.poper.si

CV (sort of): http://www.memefest.org/en/about/who_we_are_oliver_vodeb/

You can read some of my texts here:
https://rmit.academia.edu/OliverVodeb


I have joined the Memfest community becasue i am interested in

I have been here from the very beginning of Memefest. I am interested in communication/design for social and environmental change.
I name such communication socially responsive communication.

Broadly speaking I am interested in visual communication, photography, sociological aspects of communication, design and media.

Iam interested in institutionalised forms of communication like for example communication done by design/communication studios and advertising agencies as well as non institutionalised forms of communication like tactical media or broader aspects of media activism.

In a slightly more academic language:

I am interested in how critical social theory can illuminate the complex processes of production, distribution and reception of public (visual) communication in order to generate public communication as a responsible social, political, economic and cultural practice.

I am particularly interested in relations between concepts of response-ability and communication effectiveness, and the social construction of design and other forms of pubic communication as profession, practice and praxis within academia, the market environments and non-institutionalised communities.


Faculty

was studiing at Faculty for social sciences University of Ljubljana


Education

PhD in sociology of communication and design


Working place

RMIT University, School of Design, Master of Communication Design


Music I like

Flamming Lips, Pixies, The Black Crowes, Demeter, Porno for Pyros, Ry Cooder, Junior Kimbrough, Townes van Zandt, T-model Ford, The Dirty Three, Bonnie Prince Billy, Primus, Faith no More, Bob Dylan, RHCP, Alice Donut, Faith no more, Mark Lanegan, Reigning Sound, Total Control;


Books I like

The Unbearable Lightness of Being, A Confederacy of Dunces, Fear and Loathing in Las Vegas, PanikHerz...;


Films I like

The man who wasn't there, No country for old man, Genova, Zidane a 21st century portrait, There will be blood, Il Postino, Festen, Straight Story, Wild at heart, White Ribbon, Dog tooth;


Communication projects I like

I like stuff we did at Poper studio. I like posters from Inkahoots. I like the zine project 23/56 from Kevin. I like many things that were submitted to Memefest, I like stuff from Cactusnetwork, I like the work of Image-shift.


Websites I like

poper.si, memefest.org, magnumphotos.com, mubi.com, ubu.com, http://twotheories.blogspot.com, brianholmes.wordpress.com, www.lensculture.com, www.burnmagazine.org, www.bagnewsnotes.com, www.cactusnetwork.org.uk, http://www.image-shift.net, www.inkahoots.com.au/
www.lokidesign.net


People I like

My dear family and my wonderful friends.


COMRADES