Komplex, 28

by marianoequizzi

This work has been commented by 1 curator(s). Read the comments

Title

Komplex, 28

Headline

A paranoid mystery tour

Concept author(s)

Mariano Equizzi

Concept author year(s) of birth

1970

Concept author(s) contribution

Writer, director, shooter and augmented reality maker.

Concept author(s) Country

Italy

Designer(s)

Paolo Bigazzi

Designer(s) year(s) of birth

1975

Designer(s) contribution

Sound Designer & Composer & Music Producer

Designer(s) Country

Italy

Other author(s)

Luca Liggio

Other author(s) year(s) of birth

1969

Other author(s) contribution

Digital Video Producer, web manager,

Other author(s) Country

Italy

Friendly Competition

Radical intimacies: dialogue in our times (2014)

Competition category

Mobilization

Competition field

nonacademic

Competition subfield

professional

Subfield description

Sofia, writer and director

Check out the Radical intimacies: dialogue in our times 2014 outlines of Memefest Friendly competition.

Description of idea

Describe your idea and concept of your work in relation to the festival outlines:

K28 is a urban storytelling based on Augmented Reality. We use a marketing tool to disrupt the urban surfaces of the city and to seed inside them a symbolic story about our present times.
The viewer using AR reveals the story and peeps inside an invisible city hidden in his/her reality.
It's an experience very similar to "THEY LIVE", the movie of J. Carpenter. It' a story about power and mind control, drones an banksters. 28 is the numerical sum of the word M.AF.I.A. and it Multiple ArtiFicial Intelligence Algoritmic.

What kind of communication approach do you use?

We use the same marketing platform of Aurasma, but instead to pop up a graphic gimmick out of a brand we pop out the storytelling from the signs and sightseeing of the city. The experience is sharable. We disrupt the most advanced marketing tool to propel a conspiracy vision of reality.

What are in your opinion concrete benefits to the society because of your communication?

We focus on a simple concept and action: empowering the viewer as well as Alice crossed the mirror.
To reveal to Society that the surface of our reality has to be scanned and permutated to understand what is beyond and beneath it. The city is not simply a cage, is a place that can be metamorphosed.

What did you personally learn from creating your submitted work?

The using of the city as a polymorphic screen, a perfect place to hide and to reveal and to tell about the secrets of our reality.

Why is your work, GOOD communication WORK?

Komplex,28 uses a very common device, the smartphone and a very common place: the city. Both are very reachable media. Plus K28 doesn't communicate a brand but a conspiracy and a philosophy: hack the city.
We use the archetypal of Pandora's box.

Where and how do you intent do implement your work?

I need a city, or a neighborhood. Doesn't matter where. The production timing is 10 days, to snap the photo and to deconstruct the city, to seed the augmented experiences.

Did your intervention had an effect on other Media. If yes, describe the effect? (Has other media reported on it- how? Were you able to change other media with your work- how?)

Komplex 28, is multilayered project, like in the Alice's Mirror the Augmented Reality access is just a threshold to wander in contents disseminated in You Tube, Sound Cloud and also in an incongruous website (in the wake of Mail Art).

Curators Comments

Ricardo Dominguez

The question of storytelling and new types of lettering-in this case AG does not always work well, not because it is not being done correctly-but because not enough encounters with it have occurred to move the "lettering" device into the everyday. So it is important to have these types of gestures happen everyday a little more, so that a language that can be both narrative and critical, can also mark conditions for action and intervention-along with invention.

Comments

marianoequizzi

10 years, 7 months ago

the everyday use of Augmented Reality is related to brand strategies or to disruptive activities; like in our case. IN many sense we were not able in the condition in which we were to openly represent what we see of our reality. K28, is a work about the endless spaces in which the global criminal powers move. They are so advanced in terms of control and submission of society that every conspiratorial fresco we can imagine is for sure not so far from reality itself.