"MAP Geographical Fades"

by ASTROS

This work has not been commented by curators.

Title

"MAP Geographical Fades"

Headline

Painting

Concept author(s)

Francesca Sigilli

Concept author year(s) of birth

12/07/1976

Concept author(s) contribution

The author of this project, the execution to deliver it personally to have been Personally prepared by Francesca Sigilli

Concept author(s) Country

Italy

Friendly Competition

Radical intimacies: dialogue in our times (2014)

Competition category

Visual communication practice

Competition subcategory

static

Competition field

nonacademic

Competition subfield

artist

Subfield description

I am Visual Design, Sculptor, Painter, Pthographer, Videomaker and Graphics. Even as a child I had a passion for drawing, painting but mostly for film and photography. The photography and cinema have always been present in my life becoming passion thanks to my father, who as a young man he photographed and developed only by his films. Undertake successfully studying art until the Graduate Diploma in Sculpture with honors at the Academy of Reggio Calabria. I specialize in Art History at the 'Academy of Fine Arts of Reggio Calabria, in the following years studying a Master Curator of the Museum of Contemporary Art Events Art Performing Arts at IED Istituto Europeo di Design in Rome. After graduation working as assistant to the Danish director Jan Jones. In 2014 ShortFilmLab Workshop in collaboration with Jaeger-Le Coultre edited by Silvio Soldini at IED Istituto Europeo di Design and the University Space Cinema in Milan. In 2014, Master of Communication and Film Production. From traditional systems to Web 2.0 by producers Dominic Pillow, Lionello Cerri Lumière & Co., Francis Bonsembiante Jolefilm, Nicola Giuliano Indigo Film, with Directors Mark and Nicola Pozzi Palmarini at IED Istituto Europeo di Design in Milan. In 2014 Wokshop The Cinema in real-edited by director Andrea Segre and co-ordination of the photographer and assistant director Simone False at IED Istituto Europeo di Design in Milan: In 2013, Corso for Photography in Cinema curated by Luca Bigazzi at IED Istituto Europeo di Design and Anteo Spazio Cinema. I specialize in the field of cinematography in regia.Computer Generated Animation gaining a strong interest in visual effects animation. My works have participated in several national and international festivals. My work live deeply in the visual arts installations ranging from video art to experimental films and documentaries. This visceral passion for the art of cinema guide me to experiment with new forms of communication. My video as a filmmaker, as a visual artist living thanks to my insatiable hunger for knowledge continues. To define me in one word: versatile.

Check out the Radical intimacies: dialogue in our times 2014 outlines of Memefest Friendly competition.

Description of idea

Describe your idea and concept of your work in relation to the festival outlines:

Project Description

"MAP Geographical Fades"

Map is a project born from the desire to recover the old geographical maps to give him new life, impacting on them with acrylic paints figures, human figures taking on a more abstract and imaginative connotations that creates the balance between them creates a new artistic language away from traditional painting. That's why the project is called MAP, the choice of the map is not the case, however, only on a basis of aesthetics and recovery, but especially the historical connection and time that you create with the subjects of the work. They say that people look like places that have hosted and any place, plan, change appearance, becoming the basis of the needs of those living there. The intimate relationship between human beings and the environment that surrounds them every mutation is always mutual and every street, building or face is an expression of a deep symbiosis. It is this relationship of spiritual and physical which led me to realize this project I want to outline the human figures in the most complete expression of the place and its inhabitants getting the same hatch on the large face of the Earth. These works become a metaphor for the life of her feeding environment, which drives the contemporary society to live before the evidence of the destruction of the environment, leaving a trail of overbuilding Map becomes the tool of reflection of the changing nature of the environment that human touch without being manipulated by man. Map is a world where it is not the subject of abstract utopia but a sign that prevails on the consciousness of humanity.

What kind of communication approach do you use?

The type of approach of communication is visual The five images works Map is a project carried out with the recovery of old geographical maps its goal is to communicate to the audience the importance of recycling to protect the environment. The choice of the maps is not only an aesthetic criterion according to aesthetic and recovery, but especially the historical connection and time that you create with the subjects of the work. They say that people look like places that have hosted and any place, plan, change appearance, becoming the basis of the needs of those living there. The intimate relationship between human beings and the environment that surrounds them every mutation is always mutual and every street, building or face is an expression of a deep symbiosis. It is this relationship of transformation that has prompted me to carry out these works to safeguard the climatic conditions of our world without destroying it to create something artificial appreciate the true essence of being humanly aware that the earth is extraordinary to be protected by all of us.

What are in your opinion concrete benefits to the society because of your communication?

The benefits of this work to communicate to safeguard the global environment from pollution. I want to rilfettere the viewer that the world needs to be helped can not be more struttato the only man to become rich without rilfettere to future consequences just think that in these years, our world has undergone many mutations if we do not stop all this will remain little beauty of the world untouched. All my works can make us reflect on a matter so delicate as environmental pollution.

What did you personally learn from creating your submitted work?

In creating this project, I thought that may involve many other people in my project that year as me care about the environment. Everyone in the world with only small gestures can make a difference to overthrow these progressive environmental destruction.

Why is your work, GOOD communication WORK?

I believe that my works are able to seek the conscience of mankind. To reflect each individual in the importance of recycling that every object can have a new life that someone else can use them to its potential.

Where and how do you intent do implement your work?

In my work is very important to the visual impact and the reason is I think this project has all the particularities to be. Its intent is to rilfettere the viewer that there is a present if there was a past, but if his progressive change does not stop in a few years the whole history of our existence will be gone.

Did your intervention had an effect on other Media. If yes, describe the effect? (Has other media reported on it- how? Were you able to change other media with your work- how?)

My exhibition presented in New York these days for a cultural event on climate had a strong covenant with many public have supported my project. I can say that art has a great power to communicate to more people without distinction of race, language, the real reason of his being. And this is my project to communicate with images what we are experiencing in our contemporary life.

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